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Look what happened when the uber-heterosexuals from Amazing Race got drunk. TWoP tagged them as Brokeback Fratboys early on. Good call.
Random stuff on surfing, paddling, food, war, travel, queer politics, and saving the world.
Friday, March 24, 2006
You've endured three more birthdays. There have been three Academy Awards ceremonies, three new Super Bowl champions, three full winters and three summers, three complete cycles of jeans styles and hemlines and pleats in the fashion world, and there has been the rise and very quick fall of roughly 146 horrible TV shows you never even saw.
Your skin has changed. Your teeth have worn down. Your bones have shifted in their sockets. Your fingernails grew 4 inches and you consumed roughly 5,850 pounds of food and 600 pounds of meat and your hair grew about a foot and a half.
There have been killer hurricanes and earthquakes and devastating tsunamis, heat waves and cold fronts and dramatic shifts in the general temperament of the Earth. Ice caps are melting more rapidly. Young wine has aged nicely. Babies born three years ago are now walking and eating with utensils and uploading digital photos to their MySpace pages via their cute little Nokia cell phones. Times, of course, have changed.
But through it all, through your life like an undercurrent of cold black blood, like an unshakable stench deep in your nostrils, like a disturbing stain you simply cannot get off your shirt, our country has been at war. Endless, raw, insidious, interminable.
Body bags filling up every day. Death tolls rising. Hundreds of billions of your tax dollars hurled into a gaping sewer of death and destruction. Thousands of dead American kids, many more on the way. Corruption and scandal and gross war profiteering, Halliburton and the Carlyle Group and Lockheed Martin and the insidious dumbing down of military recruitment standards (because we're running out of disposable soldiers) to go along with Donald Rumsfeld's black-eyed sneer. Endless.
Do you remember the sweet little halcyon moment way back when, when America was slightly more globally respected and Iraq seemed like a bad but temporary dream and even the most hawkish Bush-gropin' war proponents were saying, "Hey, America, don't you worry your confused, fear-addled little head. We'll be in Iraq for absolutely, positively, mark-my-words no more than three months, maximum -- OK, maybe six." Remember when they said that there was simply no way this war could run us more than about $10 bil and maybe cost, at the very most, a couple of dozen U.S. casualties? Wasn't that cute?
Do you remember the time of pretty brainwashed thoughts and insidiously patriotic dreams? Before the darkness and the disgust, before 20,000 killed or wounded American soldiers, before we illegally detained thousands and brutally tortured hundreds of Iraqis, before the wiretapping and the Patriot Act and the disgusting lack of accountability and before America's reputation in the Muslim world was turned to rancid hummus?
And now, here we are. Monday marked the three-year anniversary of the start of our quick-'n'-cheap Iraq occupation/invasion. It is a moment to reflect on what we have accomplished. We have accomplished this: global contempt, colossal debt and a culture of death and intolerance. How very proud we are. Thank you, George.
The threat of terrorism is higher than ever. Iraq's vicious fundamentalist factions are on the verge of civil war. The Middle East is more volatile because of our president's warmongering than Saddam or Osama could have ever dreamed. There is a song by Bright Eyes called "We Are Nowhere and It's Now." Dead-on.
Have you heard all this before? Of course you have. It has become our national refrain. It is the subtext to all we do. It is printed on our nation's bloodstained business card.
And now, a sort of bleak but bitterly livable numbness has settled in. We are like a person with a ghastly fatal disease, limping around with a hacking cough, blood in our eyeballs and an awkward forced smile, pretending all's well and we'll make it through A-OK when deep down we know something has been permanently shredded and incapacitated, and there is no medicine for it except maybe wholesale sociopolitical revolution.
Ah, but there is little value in hammering Bush for his gross incompetence anymore. He now has the third-lowest approval ratings of any president in American history. The vast majority of Americans, from liberals to heartland GOPers, are disgusted and fed up. From the grossly miscalculated war to the grossly incompetent Katrina response to enough scandals and misprisions to make Nixon look like Jimmy Carter, Bush's mark in our history books is guaranteed to be nothing but a vulgar child's scrawl. With a cross.
But it doesn't really matter. Bush is still immune, blind and dumb and still refusing to admit a single mistake, and yet he cannot be punished or impeached, if for no other reason than those who would do the impeaching are of his own party and they are simply loath to admit how very severely wrong they were about just about everything. Hey, that sort of thing is what costs you elections.
The bad news is, even the most liberal estimate says we are locked in. We cannot leave Iraq, not now, not in a few months, perhaps not for years and years, not if we don't want the region to instantly devolve into a worse hell pit than it already is. The quagmire is too deep, the mess too wide, our supposed allegiances too shaky and the region sliding so quickly to the precipice of civil war that to exit now would be disastrous beyond even what Saddam could've accomplished on his worst day.
All we are left with is the larger question: Can we possibly learn anything from this? Is it possible to mature and progress as a nation, as a humanitarian force, as a result of our horrible mistakes, of our ability to be so easily misled and beaten down by a cabal of sneering neocon leaders who would just as soon shoot you as give you a handshake and a cigar?
After all, Vietnam taught the Powers That Be, well, nothing at all, except how to better crack down on dissent and manipulate the media and inject huge gobs of unwarranted fear into the bloodstream of the populace so they may launch their vicious and inhumane wars without so much damn hassle.
America has a notoriously short memory. What happened to all that hair you cut? What about all that food you ate? Where are all the bodies we've burned and blown up from Afghanistan to Baghdad? What sort of legacy is this? Will you simply be reading this column again in exactly one year, at the four-year marker of our ongoing happyfun death march, wondering where the time went?
These might sound like rhetorical questions. Maybe that, after all, is the problem.
» Negative replies are considered impolite. Instead of saying "no," answer "maybe," "I'll think about it," or "We'll see."
» If the subject of Taiwan comes up, never refer to it as the "Republic of China" or "Nationalist China."
» Unless you're a communist, never refer to someone as "comrade."
» The Chinese will decline a gift three times before finally accepting. You will have to continue to insist.
» Do not wrap gifts in yellow paper with black writing. These colors are for gifts offered to the dead.
» Empirical evidence and objective facts are accepted only if they jibe with the Communist Party line.
» Do not put your hands in your mouth. It is considered vulgar.
» Avoid unusual facial expressions.
Source: State of Hawaii
Meanwhile, at a news conference in her home state, Sen. Hillary Rodham Clinton (D-New York) referenced the Bible in condemning the immigration bill approved by the House last year.
"It is certainly not in keeping with my understanding of the Scriptures, because this bill would literally criminalize the Good Samaritan and probably even Jesus himself," said Clinton, who is also weighing a bid for president.
Enough already. She can do her best country parson imitation & it won't convince middle American. It's as fake as Bush's Texas cowboy imitation.The red carpet in front of the theatre was larger than the Red Sea. Inside, we climbed grand staircases designed for showing off dresses. The circular levels filled with men in black, the women mostly in pale, frothy gowns. Sequins, diamonds, glass beads, trade beads sparkled like the interior of a salt mine. More exquisite dresses appeared every moment, some made from six yards of taffeta, and many with sweeping trains that demanded vigilance from strolling attendees lest they step on a mermaid's tail. There was one man in a kilt - there is always one at award ceremonies - perhaps a professional roving Scot hired to give colour to the otherwise monotone showing of clustered males. Larry McMurtry defied the dress code by wearing his usual jeans and cowboy boots.
The people connected with Brokeback Mountain, including me, hoped that, having been nominated for eight Academy awards, it would get Best Picture as it had at the funny, lively Independent Spirit awards the day before. (If you are looking for smart judging based on merit, skip the Academy Awards next year and pay attention to the Independent Spirit choices.) We should have known conservative heffalump academy voters would have rather different ideas of what was stirring contemporary culture. Roughly 6,000 film industry voters, most in the Los Angeles area, many living cloistered lives behind wrought-iron gates or in deluxe rest-homes, out of touch not only with the shifting larger culture and the yeasty ferment that is America these days, but also out of touch with their own segregated city, decide which films are good. And rumour has it that Lions Gate inundated the academy voters with DVD copies of Trash - excuse me - Crash a few weeks before the ballot deadline. Next year we can look to the awards for controversial themes on the punishment of adulterers with a branding iron in the shape of the letter A, runaway slaves, and the debate over free silver.
After a good deal of standing around admiring dresses and sucking up champagne, people obeyed the stentorian countdown commands to get in their seats as "the show" was about to begin. There were orders to clap and the audience obediently clapped. From the first there was an atmosphere of insufferable self-importance emanating from "the show" which, as the audience was reminded several times, was televised and being watched by billions of people all over the world. Those lucky watchers could get up any time they wished and do something worthwhile, like go to the bathroom. As in everything related to public extravaganzas, a certain soda pop figured prominently. There were montages, artfully meshed clips of films of yesteryear, live acts by Famous Talent, smart-ass jokes by Jon Stewart who was witty and quick, too witty, too quick, too eastern perhaps for the somewhat dim LA crowd. Both beautiful and household-name movie stars announced various prizes. None of the acting awards came Brokeback's way, you betcha. The prize, as expected, went to Philip Seymour Hoff-man for his brilliant portrayal of Capote, but in the months preceding the awards thing, there has been little discussion of acting styles and various approaches to character development by this year's nominees. Hollywood loves mimicry, the conversion of a film actor into the spittin' image of a once-living celeb. But which takes more skill, acting a person who strolled the boulevard a few decades ago and who left behind tapes, film, photographs, voice recordings and friends with strong memories, or the construction of characters from imagination and a few cold words on the page? I don't know. The subject never comes up. Cheers to David Strathairn, Joaquin Phoenix and Hoffman, but what about actors who start in the dark?
Everyone thanked their dear old mums, scout troop leaders, kids and consorts. More commercials, more quick wit, more clapping, beads of sweat, Stewart maybe wondering what evil star had lighted his way to this labour. Despite the technical expertise and flawlessly sleek set evocative of 1930s musicals, despite Dolly Parton whooping it up and Itzhak Perlman blending all the theme music into a single performance (he represented "culchah"), there was a kind of provincial flavour to the proceedings reminiscent of a small-town talent-show night. Clapping wildly for bad stuff enhances this. There came an atrocious act from Hustle and Flow, Three 6 Mafia's violent rendition of "It's Hard Out Here for a Pimp", a favourite with the audience who knew what it knew and liked. This was a big winner, a bushel of the magic gold-coated gelded godlings going to the rap group.
The hours sped by on wings of boiler plate. Brokeback's first award was to Argentinean Gustavo Santaolalla for the film's plangent and evocative score. Later came the expected award for screenplay adaptation to Diana Ossana and Larry McMurtry, and only a short time later the director's award to Ang Lee. And that was it, three awards, putting it on equal footing with King Kong. When Jack Nicholson said best picture went to Crash, there was a gasp of shock, and then applause from many - the choice was a hit with the home team since the film is set in Los Angeles. It was a safe pick of "controversial film" for the heffalumps.
After three-and-a-half hours of butt-numbing sitting we stumbled away, down the magnificent staircases, and across the red carpet. In the distance men were shouting out limousine numbers, "406 . . . 27 . . . 921 . . . 62" and it seemed someone should yell "Bingo!" It was now dark, or as dark as it gets in the City of Angels. As we waited for our number to be called we could see the enormous lighted marquee across the street announcing that the "2006 Academy Award for Best Picture had gone to Crash". The red carpet now had taken on a different hue, a purple tinge.
The source of the colour was not far away. Down the street, spreading its baleful light everywhere, hung a gigantic, vertical, electric-blue neon sign spelling out S C I E N T O L O G Y.
"Seven oh six," bawled the limo announcer's voice. Bingo.
For those who call this little piece a Sour Grapes Rant, play it as it lays.
That's us - "state officials." It's such a generic and disembodied term.
It's a bland face in a grey suit.
It's some vague embodiment of authority.
It's 'them.'
It's hard to grasp that I am now one of them, that the tag now belngs to me.
But there it is, on the front page
of both our local papers: Observatory faces fine for lack of permits
and Agency seeks fine against observatory.